Smooth Jazz CD Reviews

Our reviews of various smooth jazz CDs. We also review certain Latin, World, & blues music releases. TSJR does not engage in negative reviews. All CDs presented here are releases that we accept as being quite worthy--even outstanding in many cases. If a release does not warrant such an assessment in our view, we will simply decline to review it.

Clicking on a CD image in our CD Reviews section will direct you to Amazon (if the item is available there) to either listen to or buy the item. In some cases, you will be directed to CDbaby.com if the item is not available on Amazon.

Artists who wish to submit recent material to us for review (complete albums only -- no singles) and who do not have us on their or their label's mailing lists should request a review via our Contact Us feature on our home page.

Cal Harris Jr. — Soulful

July 31, 2019

This well-produced, solid project, Soulful, by pianist/keyboardist Cal Harris Jr. sparkles with originality and character with a sizable emphasis on real c-jazz combined with just the right amount of R&B and funk to make it one of the best well-rounded albums I’ve heard to date.

Bringing along with him such contributors as the legendary keyboardist/producer/composer Jeff Lorber, bassist Mel Brown,  producer/programmer/ keyboardist Lew Laing Jr., and others who sport their A game, Harris puts on quite the display of eclectic, thick, full-bodied jazz grooves to put any c-jazz lover in the right mood at the right time. Read full review


Kim Scott – Free to Be

July 10, 2019

I have so enjoyed following and reviewing this lovely flautist and her very becoming work since her 2011 Crossing Over release. The vibrancy, the brilliance, and the feel-good vibe that one gets from her lilting, quality c-jazz offerings are not to be understated. Here again on her latest Free to Be release, she puts on a great display of her musicianship with top-tier playing and writing skills.

Artists like Kim Scott bring an exuberance to an art form long prophesied to be a thing of the past in short order by critics. When you listen to the Pied Piper-like allure and magic of her style, you come to the conclusion that those critics couldn’t be farther from the truth. Read full review


Julian Vaughn — Supreme

July 9, 2019

Continuing his funky lead bass party, Trippin N Rhythm artist Julian Vaughn lays out some new and phat grooves on his latest release Supreme that have become an essential component of his own “it” factor, that indelible signature that he can call his own.

Wasting no time introducing you to this powerful collection of originals (and one cover track recorded by After 7 and written by Babyface), the bassist jumps on the high road and kicks it all off with the up-tempo lead track “Flash Back Friday” followed by a mid-tempo and the thick and funky “Black Dynamite” which features a really nice horn arrangement with Donald Hayes on sax. Read full review


Ron Hutchens – Date With Destin

July 3, 2019

This EP, Date With Destin, by pianist/keyboardist (and, really, multi-instrumentalist) Ron Hutchens, is a beautifully melodic collage of c-jazz in its more tranquil, laid-back mood (for the most part). With only guitar help on select tracks, Hutchens pulls together yet another tasteful example of class and musicianship.

With four of the seven tracks (“Tranquility Bay,” Okaloosa Moon,” “Dolphin Run,” and “Been Too Long”) being tailor-made for that relaxing evening at the beach, allowing one’s mind to experience the romance, waves, and just-rising moon whispering as a perfect backdrop, they escort you to a place of bliss and good vibes. Very much the stuff caresses are made of. Read full review


Mark Allen Felton – Soul Real

June 11, 2019

This is my first exposure to Chitown saxman Mark Allen Felton who’s actually been on the scene since 2002 when he recorded his first album, a gospel production called Gospel Stroll. Since then, he’s released 4 other albums (including this one) ranging in style from Gospel to R&B/funk/jazz, tossing in a bit of the hip hop flavor on his latest Soul Real release.

With a clearly diverse style, Felton’s creative and powerful approach to soul-deep grooves is equally as moving as his style. This is what defines eclecticism with oomph and soul. Read full review


Mark Harris II – Interstellar

June 11, 2019

So, being relatively new to the c-jazz scene and having released his debut EP Imagine in 2015, I would imagine there are some who would ask “Exactly who is Mark Harris II?” Well, he is a seriously talented keyboardist (multi-instrumentalist, actually) hailing from St. Louis, MO who has worked with Tiffany Elle, Rhoda G., and the house band at St. Louis’ Cafe Soul.

One of the most diverse productions I’ve heard lately, his new album, Interstellar, is loaded—really loaded—with eclectic grooves ranging from techno effects to fusion to typical c-jazz with some R&B intonations. I am a fan of most of his compositions and journey here, although a couple of the deep fusion tracks (i.e. the lead track “Black Gold” and the title track) left me a bit dissatisfied. Still, those aside, Harris delivers a solid, creative vehicle to transport one to a very well-rounded place of delicious grooves. Read full review


Pieces of a Dream – On Another Note

May 25, 2019

For 42 years, the founding members of the iconic funky c-jazz band Pieces of a Dream, namely keys/piano giant James Lloyd and drummer Curtis Harmon, have been absolutely killing it with each and every release. The years may have changed the direction or sound of some veterans in this business — and these two childhood friends have seen many members of their own group come and go–but the substance, the character, and the soul of Pieces’ music and identity have remained solidly in place to the point where one has to ask “How do they do this??” Read full review


Shannon Kennedy – Back Again

May 25, 2019

Here’s a remarkably refreshing jazz/pop groove-laden release from saxophonist Shannon Kennedy.

In case you’re wondering just who Shannon Kennedy is, she has been primarily recognized as a ‘powerhouse saxophonist’ throughout Southern California.

She recently worked as 1/2 of the smooth jazz groups Groove LTD and Nivo Deux, recording a fusion of contemporary jazz and RnB. Groove LTD made their debut on the Billboard Most Added and Chartbound Charts with “It’s Only Love,“ #13 on The Smooth Jazz Top 20 with Allen Kepler, and #34 on the SmoothJazz.com Charts. Read full review


Incendio – Summoning the Muse

May 25, 2019

Ahh, how exhilarating and refreshing it is to get to review another Latin-based world-fusion band. The dimension that this subgenre brings also brings such exoticism and mystique with it. Here, the band Incendio (which includes Jim Stubblefield, a guitarist I’ve reviewed on a couple of occasions as a solo artist) offers Summoning the Muse, an album chock full of rhythm, sunshine, passion, and melody.

In addition to Stubblefield, the band includes two other fluid and captivating guitarists – Jean-Pierre Durand and Liza Carbe – bot of whom also have established solo careers with recordings of their own. Read full review


Joseph Patrick Moore – Nevada Sun

May 17, 2019

Not only is bassist Joseph Patrick Moore a powerful, most competent bassist who can really lay that bottom down and loves to live in the land of the low frequency, he presents himself here on his latest release, Nevada Sun, as a one-man band, playing all of the instruments with no guest appearances by any artists whatsoever. Lots of artists are going this route today, but it’s the full-bodied, rich groove offered by Moore that’s really ear-catching.

Not fooling around with lead-in interludes of any kind, the bassist simply lights into this project with fire and grit and an awesome sense of confidence and swag, starting with the slammin’ title and lead track which quickly puts his thick bass skills on full display, follows that with the stompin’ and heavy “Movement of Light,” followed by an interesting touch of World music flair with “Iraqi Peace Song” complete with a Middle Eastern feel and chants (still moving in that up-tempo funky vein, however). Returning to the funk foundation he’s laid so well here, he offers a driving cover of Röyksopp’s “Remind Me” (you know the song from the GEICO caveman commercial, I’m sure) before slipping into a more sedate “Issa” which has a World feel , as well. Read full review